Dancers, especially those in ballet, are expected to utilize a rather large amount of external rotation of the legs, called turnout. Anatomically speaking, turnout is the combination of external rotation of the hip joint, tibial torsion (slight external rotation of the lower leg as compared to the thigh), and slight external rotation of the foot. Turnout is supposed to be created and maintained through hip/pelvis and thigh musculature. However, in an effort to achieve the largest degree of turnout possible, some dancers “force” turnout, using the friction from the floor to hold the foot in a more turned out position than the dancer can achieve using the hip and thigh muscles.
Helping performers prevent, identify, treat, and understand their injuries.
4.28.2015
4.21.2015
Fuel for Healing
Giving your body what it needs can keep you healthy, help you achieve or maintain your target weight, improve your physical and mental performance, and improve your mood. “Giving your body what it needs” can include resting from physical activity, staying hydrated, and eating nutritiously. Unfortunately, performing artists can have a difficult time integrating these healthy behaviors into their daily routine.
Rest and hydration guidelines have been presented previously, so this article focuses on the importance of nutrition on injury prevention and recovery.
Rest and hydration guidelines have been presented previously, so this article focuses on the importance of nutrition on injury prevention and recovery.
4.14.2015
4 Behaviors that Hurt Your Voice
Vocal health problems like hoarseness, fatigue of the voice, pain, and vocal cord lesions are caused by vocal abuse (using the voice in a way that damages your voice and vocal health) or vocal misuse (habitual vocal strain). While it’s easiest to identify and avoid isolated instances of vocal abuse (like screaming/yelling or cheering at a sporting event or concert), it may be more important for long-term vocal health to recognize and stop the vocal misuse that happens on a regular basis.
4.07.2015
Four Things You Must Do While Carrying Something (or Someone)
This is the fifth and final article in a series examining low back pain in the performing arts. Previous articles examined the causes of low back pain, rules for safe lifting, proper lifting techniques in the performing arts, and the controversy surrounding using a lifting belt. This article discusses carrying, a common cause of low back pain.
Performers are frequently required to carry objects (instruments, props, equipment, parts of a costume) or even people. There are three steps in the process of carrying an object: lifting the object, moving while holding the object, and setting the object down. Safety measures while carrying weight are anchored in proper lifting mechanics, which maximize safety during the first and third steps of carrying. Since lifting technique has been discussed previously, this article focuses solely on actually carrying the object (the second step).
Performers are frequently required to carry objects (instruments, props, equipment, parts of a costume) or even people. There are three steps in the process of carrying an object: lifting the object, moving while holding the object, and setting the object down. Safety measures while carrying weight are anchored in proper lifting mechanics, which maximize safety during the first and third steps of carrying. Since lifting technique has been discussed previously, this article focuses solely on actually carrying the object (the second step).
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